Course Overview

 

The AP English Literature and Composition course is designed to teach college level writing and reading through the fundamentals of rhetorical theory which follows the curricular requirements described in the AP English Course Description.  The course includes in-depth reading of texts drawn from multiple genres, periods, and cultures such as those cited in the AP English Course Description.   Students read several longer works prior to the first day of class, several novels and dramas throughout the course, as well as numerous shorter works.

 

The course includes a variety of writing experiences both formal and informal, based on careful observation of textual details. Writing experiences include, but are not limited to, formal, extended analyses; timed, in-class responses; and journals. Students have many opportunities to pre-write, write, evaluate, revise, and rewrite based on self, peer, and teacher evaluations.  Writing experiences are designed to help students develop a wide ranging vocabulary, a variety of sentence structures, logical organization, appropriate illustrative details, and effective use of rhetoric.  The course requires writing to understand, to explain, and to evaluate.

 

Throughout the course, students study novels, dramas, short stories, essays, and poetry.  While this syllabus identifies these as “Study” (unit), in practice, these genres are interspersed throughout the course. These “unit” descriptions as defined in this syllabus provide an overview of the concepts and content covered.

 

NOVEL STUDY

 

READING ASSIGNMENTS:

 

Prerequisite reading assignments are required. 

v      Wuthering Heights, Emily Bronte or Frankenstein Mary Shelley

v      All the Pretty Horses Cormac McCarthy or  Snow Falling on Cedar, David Guterson

 

Major works covered will include:

v      The Metamorphosis Franz Kafka

v      Invisible Man Ralph W. Ellison or Native Son Richard Wright or Crime and Punishment Feodor Dostosyevsky

v      Their Eyes Were Watching God  Zora Neale Hurston

 

Two more works of literary merit of teacher choice are required.  These works include:

v      Faust Johann Wolfgang von Goethe

v      Heart of Darkness  Joseph Conrad

v      Madame Bovary Gustave Flaubert

v      The Bluest Eye Toni Morrison

v      The Sound and the Fury William Faulkner

v      The Stranger  Albert Camus

v      The Sun Also Rises Ernest Hemingway

v      Catcher in the Rye  J.D. Salinger

v      An American Tragedy  Theodore Dreiser

v      In the Lake of the Woods or Things They Carried  Tim O’Brien

v      Joy Luck Club  Amy Tan

 

 

Essential Questions addressed through the study of the novel

 

  • How is the novel a mirror of the time and culture?
  • How do literary devices affect the work as a whole?
  • What qualities make this a work of “literary merit”?
  • How does the structure of the novel affect the meaning of the work?
  • How does the style influence the tone, character development, and plot?
  • How does the theme, content, and form of this novel compare to other works?

 

Activities and Writing Assignments

 

  • Whole class and small group discussions addressing essential questions
  • Response journals for personal reactions, interpretation, and comparisons
  • In-class, timed writing assignments based on AP prompt style and evaluated with AP 9-point rubric
  • Analysis of sample student AP essays provided by AP workshops
  • Formal, analytical typed essays
  • Opportunities to evaluate, revise and rewrite essays
  • Evaluation of writing for wide ranging vocabulary, a variety of sentence structures, logical organization, appropriate illustrative details, and effective use of rhetoric.
  • WEB quests researching authors, time periods, and cultures

 

DRAMA STUDY

 

Reading Assignments

 

A prerequisite reading assignment is required. 

v      The Glass Menagerie Tennessee Williams

 

Major works covered will include:

v       King Lear or Othello or Hamlet William Shakespeare

v      Oedipus Rex  Sophocles

v      The Misanthrope or  The Miser  Moliere

 

Two more works of literary merit of teacher choice are required.  These works include:

v      Murder in the Cathedral Samuel Beckett

v      Rosencrantz and Guildenstern Are Dead (in conjunction with Hamlet) Tom Stoppard

v      No Exit Jean-Paul Satre

v      Waiting for Godot Samuel Beckett

v      Dr. Faustus  Christopher Marlowe

 

Other dramatic pieces for study are selected from past AP exams and AP resource material.

 

Essential Questions addressed through the study of drama

 

  • How does the drama mirror the time and culture?
  • How do dramatic devices affect the work as a whole?
  • What qualities make this a work of “literary merit”?
  • How does the structure of the drama affect the meaning of the work?
  • How does the style influence the tone, character development, and plot?
  • How does the theme, content, and form of this drama compare to other works?
  • How have dramatic elements and conventions changed throughout time and across cultures?

 

 

Activities and Writing Assignments

 

  • Whole class and small group discussions addressing essential questions
  • Dramatic readings showing interpretive understanding
  • Response journals
  • In-class, timed writing assignments based on AP prompt style and evaluated with AP 9-point rubric
  • Analysis of sample student AP essays provided by AP workshops
  • Formal, analytical typed essays
  • Evaluation, revision, and rewriting of essays
  • Evaluation of writing for wide ranging vocabulary, a variety of sentence structures, logical organization, appropriate illustrative details, and effective use of rhetoric.

 

 

 

 

SHORT STORY STUDY

 

Reading Assignments

 

“A & P John Updike

“A Rose for Emily” William Faulkner

“Sonny’s Blues” James Baldwin

“The Jilting of Granny Weatherall” Katherine Anne Porter

Gimpel the Fool” Isaac Bashevis Singer

“The Storm” Kate Chopin

“A Pair of Tickets” Amy Tan

 

Other short stories are included based on class interests and needs.  Stories are selected from Literature:  An Introduction to Fiction, Poetry, and Drama.  X. J. Kennedy & Dana Gioia, ed.  8th interactive edition, Longman Press, New York, N.Y.  Other pieces of prose include samples from past AP exams and AP resource material.

 

 

Essential Questions addressed through the study of short fiction

 

  • How does the story mirror the time and culture?
  • How do the elements of the short story affect the work as a whole?
  • What qualities make this a work of “literary merit”?
  • How does the structure of the story affect the meaning of the work?
  • How does the style influence the tone, character development, and plot?
  • How does the theme, content, and form of this story compare to other works?
  • How has storytelling changed over time?
  • Which fictional element is of primary importance in this piece, and what is the effect on the meaning of the work as a whole?

 

 

Activities and Writing Assignments

 

  • Whole class and small group discussions addressing essential questions
  • Informal, analytical writing responses
  • Short, creative writing assignments based on particular fictional elements
  • In-class, timed writing assignments based on AP prompt style and evaluated with AP 9-point rubric
  • Analysis of sample student AP essays provided by AP workshops
  • Evaluation, revision, and rewriting
  • Evaluation of writing for wide ranging vocabulary, a variety of sentence structures, logical organization, appropriate illustrative details, and effective use of rhetoric.
  • Comparative analysis of literary elements from various pieces
  • Read published, critical essays about short stories and/or authors

 

POETRY STUDY

 

Reading Assignments

 

Samples of lyric, narrative, and dramatic poetry are selected from Literature:  An Introduction to Fiction, Poetry, and Drama.  X. J. Kennedy & Dana Gioia, ed.  8th  interactive edition, Longman Press, New York, N.Y.  Other poems are selected from sample AP exams and AP resource material.

 

 

Essential Questions addressed through the study of poetry

 

  • How does the poem mirror the time and culture?
  • How do the elements of the poem affect the work as a whole?
  • What qualities make this a work of “literary merit”?
  • How does the structure of the poem affect the meaning of the work?
  • How does the style influence the tone and theme?
  • How does the theme, content, and form of this poem compare to other works?
  • How has poetry changed over time?
  • Which poetic devices are of primary importance in this piece and what is the effect on the meaning of the work as a whole?

 

 

Activities and Writing Assignments

 

  • Whole class and small group discussions addressing essential questions
  • Informal, analytical writing responses
  • Short, creative writing assignments based on particular poetic devices
  • In-class, timed writing assignments based on AP prompt style and evaluated with AP 9-point rubric
  • Analysis of sample student AP essays provided by AP workshops
  • Evaluation, revision, and rewriting
  • Evaluation of writing for wide ranging vocabulary, a variety of sentence structures, logical organization, appropriate illustrative details, and effective use of rhetoric.
  • Comparative analysis of poems
  • Read published, critical essays about poets and their poems